Al Di Meola. His concert in Jerusalem last night showed his genius. His technical proficiency is unequalled. He accomplishes things on the guitar that others wouldn’t even attempt. And on an acoustic guitar with no distortion or effects to hide behind.

Sure, he occasionally hit a note with the side of his finger and missed the tone, but flying at that crazy speed the odd flub is inevitable. When you shoot for the moon you may not quite make it but you are still flying further and pushing harder than anyone who doesn’t aim past the ceiling.

He was accompanied by Richie Morales on drums and Amit Kavthekar on tabla who would take their cues from him — a wave of his hand or a nod of his head and they would switch tempo in a heartbeat.

Jazz is not my normal cup of tea, but I’ve been a fan of Di Meola since the 80s when they published a transcription of one of his songs in Guitar Player Magazine. He has played with some of the greatest — Chick Corea obviously, who came him his first big break when he invited Al to join Return to Forever (and according to the story Al told last night, only gave him three days to rehearse for his first big show at Carnegie Hall), Stanley Clarke, Jaco Pastorius, John McLaughlin, Paco de Lucia, Jan Hammer, Tony Levine and Bill Bruford to name just a few. 

My daughter asked me how people chose names for songs if there are no lyrics, and the answer is I don’t know. I also could not recognize or name the songs from last night (but then again, neither did Google, so I’m in good company). He told us he opened with Fandango, I definitely recognized Norwegian Wood, and Señor Mouse which he dedicated to the late Chick Corea who passed away less than a year ago. And his final song was Mediterranean Sundance, which he said started it all for him.

More than that, how does one know when the song is finished and it is time to clap? Like in a symphony where only a fool would clap between movements of a symphony, there was a nervous hush every time the music paused for a moment. Luckily, almost every song ended with a thurrrum of a chord and his right hand flying up in the air.

After he played his last song and said goodnight (at 11 pm on the dot) everyone started leaving. I guess nobody in the crowd had heard of an encore, because Di Meola had to hurry back onstage quickly to play one last song before the place was totally empty.

Acoustic guitar sometimes sounds dull, colorless, bland. Di Meola put his heart and soul into every note. There were colors, there was texture, there were crazy sweet string bends. All the right-hand action was in his wrist — his forearm never seemed to move. He would sometimes get so into the music that he would tap both feet alternately, as if he was running to keep up with himself.

This was a masterclass in guitar performance. It is impossible to watch him perform and not be blown away.

The Al Di Meola Trio performed in Jerusalem on June 16th. They will play the Haifa Auditorium on June 17th, Kav Rakia at Ariel Sharon Park on June 18th and the Performing Arts Center in Beersheba on June 20th.

The post Al Di Meola’s genius shines in Jerusalem concert appeared first on Concerts in Israel.

I’m currently sitting in the Jerusalem Payis Arena watching a basketball game. But in a few days I’ll be back here for a Deep Purple concert.

I’ve seen Purple twice before in Israel. Once on September 28, 1991 in Tel Aviv’s HaYarkon Park, with Richie Blackmore on guitar, the late Jon Lord on keyboard and Joe Lynn Turner on vocals. And of course, Ian Paice on drums (Ian has always been in the band, from the time they first formed in 1968, and Roger Glover, who was in the band from 1969-73, and then again since 1984). That was the fulfilment of a lifetime dream (and the only time I saw Mr Lord) but objectively, it was not a great show.

Then, in 2016, I saw them again. Deep Purple were touring in support of their album, “Now What?” which at the time I thought might be their last. This time, Turner was gone, replaced by Ian Gillan, who was the vocalist during the band’s halcyon days, as was Richie Blackmore. In his place was Steve Morse, an American guitarist who has now been in the band almost twice as long as Richie was, but will always be considered the “new guitarist” and the veteran Englishman, Don Airey on keyboards. That was a great show — the band looked as though they were actually having fun.

On Monday, May 23rd, Deep Purple are back. This will be the band’s sixth time in Israel. But it will be their first time performing in Jerusalem. The lineup is almost unchanged since last time they were here. Except that Steve Morse is sitting out this tour to care for his wife who is ill. He has been (temporarily) replaced by Irish virtuoso Simon McBride. To be honest, McBride is the main reason I want to go and hear the band this time. Sure, they will play all their greatest hits — the same hits I listened to as a teenager decades ago. But Simon will bring a new voice to the group. I hear hints of Gary Moore in his own music and I love his tone.

Simon McBride has actually played with various individual Deep Purple members over the years, and shares a record label with the band, so he was the natural choice to substitute for this tour.

If you live in Jerusalem and haven’t yet bought your ticket, you can get a massive discount if you go to the Yerushalmi website.

See you there.

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